Persephone: Pt. 3 – Building the Shoppe of Sweets

As production and development began on the Persephone project, adapting the story of Persephone into a visually-complex, animated short film was made easier through predetermined, well-planned collaboration of the designers at Animation Dynamics and myself.

The world of Persephone occurs during the turn of the 19th century in the Netherlands region. Imagining the world initially fell upon my hands to research photos of period architecture, wood patterns, designs and so forth. However, once production of the shoot was complete and the footage was handed over to the team at ADi, they took it many steps beyond my initial inquiries into art, architecture, and design… diving deeper into the history and period during which the story takes place.

Nick Nakadate is ADi’s 3D Technical Director, and his experience in the world of CGI and 3D modeling is vast. Instead of reconstituting a profile of Nick’s experience and history, I’ll simple resort to his profile as described on ADi’s website.

“Nick’s diverse background includes lighting and rendering, particle effects, paint and compositing, 3D modeling and technical animation. Key experiences include feature film projects such as Superman Returns, Journey to the Center of the Earth, Sin City, Shark Boy and Lava Girl 3-D, Ironman, and The Day after Tomorrow. Nick has also worked on numerous TV commercials. He also has seven years experience as an architectural designer. When not working, Nick likes spending time with his family, cycling, and BBQ.”

It was Nick’s charge to first build the Shoppe of Sweets. When I visited ADi last week, Nick walked me through his current progress and I was amazed with that all he accomplished thus far, in such a short period of time.

   

Utilizing photos I found online, Nick re-imagined the overall construct of the building, putting it together piece-by-piece and frame by frame. By combining elements from several buildings he began to build the framework for a whole new building, going so far as to even place traditional wood frames of that time period.

To watch a brief video of Nick discussing the Shoppe of Sweets – CLICK HERE!

Persephone: Pt. 2 – Imagining the Mist Demon

In the world of Persephone, there exists a persuasive force that offers the antagonists the choice to exchange their souls for a recipe that would allow them to create the world’s best taking chocolate.

As I was writing the story, that persuasive force slowed morphed into a demon that was created from mist.

When I first met with the team at ADi, we carefully went over the storyboards and discussed everyone’s thoughts and creative ideas for each scene. During the progression of our conversations, we finally got to the topic of the Mist Demon and that’s when ADI’s Lead Character Animator Donald Fergus became especially intrigued about the demon being imagined from the likeness of a cat.

  

Over the course of the following weeks, Donald put together many drawings and renderings and his imagining of the character started coming to life.

When I visited ADi last week, I captured a quick interview of Donald regarding the evolution of the demon.

CLICK HERE to watch the interview.

Up soon: Building the Candy Shoppe

Persephone: Pt. 1 – Inside The Shoppe of Sweets

Yesterday I visited the the  team at Animation Dynamics to check on the progress of the Persephone project.

As usual, I was very impressed. Sean Hutchinson, Animation Dynamic’s Producer, was kind enough to document the process and take many photos as I stopped by each station.

Creating the world around Persephone is no easy task. The first initial steps are keying out the greenscreen and installing, in its place, reference backgrounds for the characters to exist in. This all occurs before any lighting details, frame alterations and other adjustments are applied.

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Vince Nimmoor is ADi’s Art Director and a very talented compositor. He walked me through several shots which take place inside the Shoppe of Sweets. By simulating and experimenting with various lighting techniques, he can vary shadow depth and background perspective. This grants Vince the  ability to imagine the end design and create a foundation for what the interior will actually look like.

Below is a link to a short video describing what Vince is working on.

Inside The Shoppe of Sweets

And, just so it’s known… what you’re seeing in the video is not the end product. They are merely assembly shots.

The world of Persephone exists in a dream state… a fantasy… a farable.

Up next: Pt. 1 of Donald Fergus and Imagining the Mist Demon.

She Would Pirouette Into Mist: Persephone Update

A couple of days ago, I stopped by Animation Dynamics for a CGI development meeting on the look and feel of “Persephone”.

The team at ADi showed me a myriad of different shots that we picked, early on, to begin development on. Since the world surrounding the live action actors of the Persephone story is partially formed with mist and clouds, following an impressionistic construct, we’re taking careful design steps and are working to develop the exact style and flow of how the shots will move from one scene to the next.

In the below shot, designed by Seth Cameron Short, we see a silhouetted Persephone standing in pose after doing a pirouette. As we see Persephone grow and form into a young woman, she pirouettes and poses, stopping long enough for the audience to see her present form before she blows away into mist, thus moving that scene away while the next scene begins to form in frame.

The next ‘shot’ that’s being developed is being done by Donald Fergus. It’s a transitional element which I originally conceived to be a stand alone brush which would act as a descriptive image for the ensuing narration. Donald took this idea, improved upon it, and incorporated it to act as a possible transition between two other shots. The modality of this action acts in accordance to the fluid dynamic of earlier discussions regarding the flow and pace of the project; as a non-cutting, morph-based edit. We’re attempting to not show any actual cuts in the video.

When someone reads you a story… and you see the imagery of it inside your head, do you see it “cut” from one image to another? Or, do you see forms dissipate and coagulate together? Either way… Persephone is being constructed and designed as a fluid formed “edit”.

Nick Nakadate and Vince Nimmoor are both working on 2d and 3d background elements. Layering the mist and having it interact and move in dimension with the characters is what Vince is currently exploring while Nick is creating the dynamic of mist motion in relation to the demon that interacts with the live actors in the story. It’s amazing to see the control that everyone at ADi has over their digital environments and it’s a great education to learn from them all.

Over the next few months I will be continually meeting with, and documenting, ADi and their progress.

END OF LINE

A look back at “Storage” – A short thriller.

In 2006, the short thriller, “Storage” was filmed in Portland, Oregon.

The story is set in an aged, decrepit storage facility. Kathy has accidentally been accidentally locked in overnight and must now wait until morning to be set free. As day moves into night, the building begins resting – first with a few creaks… and then, with a few moans. Kathy soon discovers voices emanating out of another storage unit. She fears that a darker, more sinister force is beginning to wake up… and that there’s no place for her to hide.


Right now – the full video can be watched online at Storage – Short Film

Please feel free to comment and send the link to your family and friends!

It Drank of Jill in Tall Grass Beyond the Hill

Jillian Jameson would peddle her Firestone Flight 77 bicycle down McTierney Road every evening at 7pm.

It was a ritual, her daily ride on that abandoned dirt road. She would swift herself through a small path in the forest while avoiding the cow corralling ditches then glide through a covered bridge, all while holding her breath for fear of trolls, and finally she would break left into an open, lilac laden pasture before hitting McTierney Road.

Once she navigated through the waves of purple scented sky she stopped and gazed upon a small hill in the distance. It was there she found her peace. It was beyond that hill that Jill would provide life to that which drank of her soul to stay alive.

This particular day, though… was quite different.

In the lilac laden fields, Jillian slowed her bike and drank deep the whispers of the lilacs blowing in the breeze. She allowed a small smile to breach her otherwise stoic face and parted her lips slightly. She was almost there.

A red laser dot came in contact with the back of Jillian’s head and seconds later a poof of red air shot from her forehead. Jillian collapsed on the ground, along with her Firestone Flight 77 bike. All went to black in an instance and Jillian, at that time, no longer existed.

The light in her head turned on and Jillian opened her eyes. It took her a few seconds to realize what had happened and she slowly gathered herself off the ground, wiping the dirt from her dress.

“Timothy Smith! You’re going to feel the back of my hand when I catch you!” Jillian screamed as she whipped herself around.

She lifted up her bicycle and checked it for damage. The blood that was pouring out of the hole in the middle of her head began drying up quickly. She wiped her forehead with her hand and all that remained were bits of dried blood. No hole. No shards of skull. No bits of brain, except that which remained on the ground.

The sunlight which coated  Jillian began pulsating as she closed her eyes. The dirt turned monotone. The purple bled away from the lilacs. The area around her began to stretch and pull towards her, ripping and splitting the air into duplicate fields – showing past, present, and future of that very same field. Jillian stepped through one of the folds and disappeared.

He was the best shot of his class. Every student, teacher, and parent had never known or heard of anyone as talented as Timothy was when it came to marksmanship.

Timothy could hit a falling acorn in the middle of a storm with his Cobalt 2.3 Sniper Piper while simultaneously making wise-crack narration about the acorn’s escape from bondage and its fall to freedom.

“No longer do you hold chains around my mighty circumference! I have broken away from your sinister grasp and the world below awaits to take me in its mighty lap.”

Then he’d exhale, pull the trigger and the acorn would break into a hundred pieces. Not bad for a young lad who was blind in one eye.

Right now, though, Timothy had his good eye dead set on the back of Jillian’s head. he switched off the safety and began narrating, “The captain glides her ship through waves of desolation and doom. Her mind is set to reach her true love beyond the hill. What she doesn’t know is that…”

“She’s standing right behind you with an iron pole!” Jillian screamed as swung down the pole and caved in the back of Timothy’s skull.

Jillian threw down the bloody pole and sat next to Timothy’s twitching body.

“You’re an asshole Tim. You ruined my dress and bent up my bike.”

After a few seconds, Timothy stopped twitching and his hands began grabbing at the ground.

“You know that folding isn’t allowed Jill. I was just messing around.” Timothy said as he began turning his body over.

“Then don’t put me in a position to do it. Why do you persist on keeping me away from him? He’s nice and treats me good!”

Timothy quickly stood up and began wiping himself down. He pulled a comb out from his back pocket and fixed his hair. “I don’t like the idea of my sister seeing a Puller. They’re parasites… always taking and never giving.”

—————–

So, I’m not sure where that story came from… if you can call it a story, maybe the beginning of some weird tale, who knows.

Updates:

Persephone is currently in a pre-visualization stage with the team at Animation Dynamics. They’re doing design work on three of the shots; establishing the general look and feel of the animated background in which the story takes place. Imagine a surreal, impressionistic dream-scape and you can picture what we’re trying to create.

My book of farables, “Weevil and Nightshade’s Compendium of Farables & Tales” is on its final edits. Design work is currently underway for the cover and I believe that it will be ready for distribution by the end of September, depending on how far I get with my distribution contacts and reviewers.

New projects are also popping into my head… including the possibility of planning to film another of the farables. I’m considering doing a full, live-action video of, “Atlantis Disregard Had a Hole in His Tongue Which Spoke Secrets to Everyone.” This story is very dear to me… and I think would make a wonderful tale for audiences to experience.

Oh… and then there’s the possible rebirth of Lady Wasteland.

That’s all for now.

END OF LINE

A man walks into a church and says, “Sorry, thought this was a bar.”

I have been reconstituting past projects of mine over the last few weeks.

In 2005, “I am Lloyd Hamlin”, a short film shot on Super-16 in 2004, was released to festivals across the country. It played at dozens of festivals over the next two years and garnered me quite a bit of attention. Of course, I was too busy working on my next project, “Storage” to bother pushing in towards any path of monetization (not that any existed during that time). It did, however… help me raise all the investment money I needed for my next project.

Please feel free to post this link on your social networking sites. I’d love to get some new comments and critique. http://youtu.be/bmfRr3QRPks

Soon, I will be uploading, “Storage” – a short story (also shot on Super-16) about a young woman who is locked overnight in a storage facility. Storage was filmed in 2006 and, like Lloyd Hamlin, played the horror film festival circuit for quite some time before.

Lady Wasteland is a post-apocalyptic tale about a woman who is scouring the wasteland looking for six assassins who murdered her best friend. This concept web-series was filmed in 2007 in four primary location and 7 secondary locations over the course of eight days. We ended up with seven webisodes for a combined length of twenty eight minutes. This series was featured front page on dozens of VOD sites, including HULU at the time, and we brought in over one million accountable views. Currently, this series has been reconstituted with a whole new story-line and contract negotiations are currently under-way with Industry Works for distribution rights for the pilot series. More to be reported soon.

Currently, I am in the process of publishing my first book, “Weevil and Nightshade’s Compendium of Farables & Tales.” My intention is to begin the process of constructing a transmedia production and distribution model based on this series which will feature interactive iBooks, individual illustrated books, short films, and  other media products.

There is much more to write… but my cat just jumped in my lap and told me to pay attention to her.

I’ve learned never to upset Miss Peppercorn.

END OF LINE

 

Persephone project moves into the talented hands of ADi

Two months ago, filming was complete for the live-action, CGI short film, “Both Bitter and Sweet Was Persephone Inside Most Incomplete.”

This farable (parable and fable) takes place in the Netherlands during the turn of the 19th century. The owners of an unsuccessful candy store decide to part ways with their souls, exchanging them to a demon for a recipe that will allow them to make the world’s best tasting chocolate. Of course, demons being devious creatures… the deal wasn’t quite what they expected. Later that night, they discover, at their front door, a small baby made of chocolate… and so begins the tale of Persephone – a young girl, enslaved by two cruel guardians who harvest chocolate from her daily for their own personal gain.

Animation Dynamics, or ADi, is a Oregon based animation company owned by Kate Ertmann and is based in NW Portland. Over the course of the past few months, I have been working alongside her talented and creative team to create the world which surrounds Persephone. Everything outside of the actors and a few props will be created digitally; backgrounds, buildings, streets, a sinister mist demon and much more.

The farable,  “Both Bitter and Sweet Was Persephone Inside Most Incomplete” is one of seven stories in the soon to be released book, “Weevil and Nightshade’s Compendium of Farables and Tales.”

Other farables include…

Troubled Frederick McLinger Had Ten Tiny Mouths on the Tips of His Fingers

Little Miss Monkey Mary

Dream Stalker Robert & His Band of Midnight Walkers

Sarah Mindful Mirror Eyes

Atlantis Had a Hole in His Tongue Which Spoke Secrets to Everyone

Shannon Shee Had a Shadow She Liked to Eat

——-

More postings to come soon….

 

She Would Know Me Not Beyond The Keys of My Car

It was a quick drive by means of two highways, a de facto gas station laid barren by predetermined travelers that never came, and a counted thirteen turns off Interstate 5 down into Lanial Pass. The promise of being next to her sprouted a lost feeling of hope; previously laid dormant by critically played means and outside influence and exacerbation. Hidden from him she was.

He needed her love and the chance to obtain it ruled out any logical basis to turn back and just head home. Logic had no place when it came to their love.

Love, apparently, didn’t have the time or patience for it.

The name of the man didn’t matter nor did the woman’s name he desired. What was conclusively evident was that he needed my car and by the look in his eye, I could tell his need was an understatement. His pupils didn’t register conscious thought. It was obvious he was on autopilot and his engine would not cease to run, even absent of whatever propulsive energy it lacked time in repair could afford.

1986 Honda Civics are notoriously dependable cars. Fidus Achates to those who maintain religious care by means of an oil-change every exact 3000 miles, a new fuel filter every 20,000 miles, and other  “…recommended and required maintenance needs the vehicle will need to ensure proper operation and functionality.” The man holding his empty, grease-stained hand out in front of him…asking for it to be filled with my keys, was not religious of past said automobile. That… his 1986 Honda Civic, laid bellowing powder blue and black fumes from its exhaust and engine. Apparently he ran it so fast, so hard, and so enthused that the small ticking he was used to hearing for the past month grew into a decisive and overwhelming, “PADA-TACK TACK TACK BLAMMO, OH FUCK MY HEAD IS BLOWN!”

The man didn’t care. He just spent the past fifteen minutes telling me about the woman he was about to lose unless he found a way to make it to her farm by 12:15PM Pacific Time.

He said, “Pacific Time!” quite distinctly, loudly, and with firm purpose. It didn’t register any inquisitional response in me beyond my normal minor countenance. It was soon after that he handed me an envelope that smelled of lilacs and whispered of emotions associated with scribblings of promises in pencil laid so poetically, that I had made my decision.

I figured that my hike would take me about four hours, so I asked him if he could return my car by 5PM  and he replied with an enthusiastic, “YES!”

After all, who I am to get in the way of love so standing… especially if the only thing stopping it is a 1986 Honda Civic with a blown head gasket. I liked the idea that his love for her would know me not beyond the keys of my car.

What do keys mean to anything if the lock they fit isn’t worth opening?

It was a pleasant hike that day.

Sex Dipping For Croissants In Bed

There is no talk of sex in this blog update – but I congratulate you on clicking to read about Sex Dipping, whatever it is. As for croissants in bed… that’s just a wondrous thought.

Maybe I’ll write a short story about Sex Dipping later.

Weevil and Nightshade’s Compendium of Farables & Tales is nearing completion. Final edits have been delayed these past couple of weeks due to an influx of work but have since resumed. I have also started concept development for many other stories… such as one about a young girl who turns clouds into people, a boy that hides in his own skin, and a woman who cries through others eyes.

Post production for, “Both Bitter and Sweet Was Persephone Inside Most Incomplete” is through its rough edit cycle and I’m finalizing all my background plates for file transference to the team at ADi.

Below, I have attached a short farable entitled, “Shannon Shee Had a Shadow She Liked to Eat.” It is one of seven farables contained within my up and coming book, “Weevil and Nightshade’s Compendium of Farables & Tales.”

I hope you enjoy it.

Shannon Shee Had A Shadow She Liked To Eat

Throughout our lives we live in constant company – that of reflection indirect, which mirrors our moves – twists and shifts for all to see.

Shadows move by no means false. They outline our space, through hidden device, by reversing the light that guides and fuels our everyday lives.

In many ways this dark company validates our sense of space, giving formal acknowledgement of our soul and its framed grace.

But, is proper respect given when it comes to a shadows existence and its sense of place?

For Shannon Shee, a girl who many believed was more important than her next sentence, respect held no case. She scrutinized her shadow as an imposter that did not represent her actual posture.

To understand why she came to suspect that which adorned her side, one must understand how she was perceived through other’s eyes.

Her schoolmates in such ways described Shannon Shee.

Joshua Clermont would speak, “Her vision was so bright that morning flowers would not unfurl until she woke and opened her eyes.”

“When she speaks, the melodies that did flutter from her lips would cause the wind to shift from east to west.” Added Theodore Macadam.

Molly Camerra shyly said, “If she touched you with her hand, the hairs on your neck would stand for hours on end.”

Every girl in Shannon’s school envied her so. They often spoke and wished of being able to live in her shadow, to swim in her soul, for Shannon treated everyone so kindly and generously.

Who knew, nobody not… was that Shannon Shee could never be perfect nor pure… for she despised something in her life of which she had no control and for years secretly conspired to see expire.

Her own shadow.

One day, long ago, when Shannon Shee was walking home, she witnessed a long, dark demon in step with her feet. It stretched away from her body, tall and grotesque. It distorted her figure; it would not leave.

She jumped and climbed. She closed and opened her eyes. Inside or outside, no matter where she went, her shadowy reflection refused to portray the beauty that everyone else did praise.

Her relationship with the world was fastened to every aspect of how she lived, moved and looked. In her eyes, the balance of her beauty could no longer be defined by nature’s reaction to the subtraction of elements that could feed off her entitled light.

And so, from an early age of eleven, did Shannon begin to conspire how to rid herself of it – that bothersome shadow.

It was innocent enough, those first early attempts to hide it from sight.

At the age of eleven, Shannon devised her first clever plan. She decided to take her shadow for an early morning swim in the pond down the road, alone, just she and it.

When nobody was looking, not even an animal in sight, she jumped into the pond and swam to the bottom, away from prying eyes. She held her breath, watching her shadow sit close-by, and slowly positioned herself to rise as the sun reached the pond’s edge, just in time. She then swam to the surface most quick, her mouth barely breaking free to breath, leaving her shadow still submerged…to remain unseen.

She watched her shadow begin to struggle and fight. It twisted about violently, conscious of its horrible plight.  Its hand reached out to her, begging to be lifted free but Shannon resisted and watched it drown in full display. Her shadow soon went limp and drifted away from her body… into the murky deep.

For the rest of the day people noticed a spring in Shannon’s step. She was as happy as ever. She felt free.

The next morning she was awakened most abrupt. Her shadow kicked her off the bed.

It came back, absent of all color and of trust.

And it was then she knew life would never be right as long as it remained alive.

Almost a year had passed, as did many more attempts. But no matter how clever she was, how many times her shadow would perish, it would always return the next morning, sometimes kicking her awake and moving its finger in the air with a displeasing wave.

A bright idea came over Shannon when she was twelve. Instead of murdering her shadow as she had done in the past, maybe she could lose it, make it confused, and finally break free from its grasp.

Shannon decided to run a marathon in June, when the sun peaked at its fullest height.

The roads were un-even; cobblestones were mashed together like spicy seasoning.

She was by far the youngest of athletes, quite overshadowed, literally… even by the smallest of runners.

The race began with a loud “CLAP” and Shannon ran, ever so fast.

Weaving and twisting between bodies so quick, she noticed her shadow was getting lost in the thick.

It began blending with other shadows; sweating profusely they began to stick together like paste on paper.

Before too long a pile of shadows turned into a ball and began to roll out of control. Runners were plowed over by its chaotic fray, which disrupted the marathon, almost ending the race.

With great humor of all that witnessed the scene, in the end Shannon ended up winning the marathon, without her shadow to share in her wondrous glory.

And it worked! Her shadow was gone!

At least, for three days…

On the morning of the fourth day she awoke with an ache coming from her head. Her shadow was pulling the hair from her scalp! It was indeed most upset.

Shannon thought, If it worked for three days, why not try again?

So, through the year Shannon would lose her shadow at dances and markets… every chance she could get.

But three days was a number she could not break, and her head would always hurt from each fourth day’s morning wake.

Thirteen was a great year for Shannon Shee. She figured out how to lose her shadow for a whole week.

Each weekend she worked for her uncle in his ice-factory; shuffling papers and keeping the office clean. Ever so patient, she would wait until the workers all broke at noon to eat their lunch and take a break.

It was during this time she would enter the chamber where they stored the ice. Her cold breath would eject a shadowy mist until she drained her shadow’s body, leaving it stuck to the floor, contorted, broken and frozen.

She’d then smile, wink… and shut the door.

Of course, a shadow is nothing to be trifled with. When it returned after the first week passed, Shannon was awoken with a sensation of burning.

It made a sharp edge with its finger and sliced her quite neatly, one inch… down her arm, barely breaking the skin.

This happened for weeks on end until Shannon’s arm was covered with dozens of scratches, none to deep though to cause any scarring.

Oh, all she wanted was to be seen perfect and clean! Just like in the visions of her friends and family.

One morning, a week before she was to be fourteen, Shannon woke up to a sharp dash of pain. Her shadow was standing over her arm, which revealed a fresh cut, vengeance for how the shadow was being treated.

The anger that brewed from Shannon’s face caused the shadow to step back with haste.

Shannon grabbed her shadow’s arm and bit it hard, ripping a small piece off.

It cowered into a corner, holding its gray arm close. A vision unseen by anyone in the world would be that of a shadow’s weeping tears… a sight no one should ever bare.

She knew that by hurting it… their fates would be sealed eternally.

Unshaken by her shocking display of brash violence, Shannon chewed up and swallowed the piece of shadow, smiled, and walked away…

Leaving her shadow in the corner, crying silent and alone.

Soon after, Shannon turned fourteen and realized her shadow was leaving her be. Curious, she pretended not to look at it direct… and noticed something she found, indeed, most suspect.

The piece of her shadow’s arm that she ate was still gone. It did not grow back. It was not replaced.

Shannon’s eyes grew bright. She realized that if she feasted on nothing but her shadow, her problem might finally cease.

It started simple enough, with a fork and knife. She thought by taking small bites each afternoon that her shadow would soon be fully consumed.

A few days had passed, and then a week. Shannon Shee’s subtle reflection was quickly disappearing… and she was beginning to grow quite weak.

Her friends and family were very concerned. They noticed her skin began to absorb the same gray tone her shadow once held; which was barely there to be seen.

Shannon was not swayed by their concerns; she didn’t wish to listen to their fears. This was the only way she could become pure… to be beautiful, whole and clear.

The sun was shining bright the day Shannon once again took up her fork and knife. She was sitting down in the park, alone with her thoughts. Only a portion of her shadow now remained…

It was the shape of her heart.

Weakly, so feebly… Shannon lifted it to her mouth, closing on it gently. It swirled down into her stomach, settled, and rumbled quite softly.

Shannon’s eyes closed as she lay down on the grass, her skin fading into silent gray.

Her shadow, now inside her, was fully hidden away.

There, in the park, forever more in reflection of beauty indirect, did Shannon Shee stay.

And never again, in this world, did she wake.

- Mark Roush

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